|Release||August 21, 1977|
|Recorded||1977 at Escape Studios|
On April 1 1977, after a few unsuccessful years of toiling in obscurity hoping for a record deal, Motörhead decided to perform their last show at the London Marquee Club. They asked Ted Carroll, head of Chiswick Records, to record the show for posterity. Instead of recording it, he offered a chance for the band to record a single. This being their last chance, they recorded 13 backing tracks in just two days, impressing Carroll enough for him to offer them further studio time to complete the tracks. Eight of these tracks were released on this eponymous debut album. The album did well enough to ensure the band would remain together, but it was their next album, 1979's Overkill, that was their real breakthrough.
The band had earlier recorded their debut album On Parole for United Artists Records, but the record company was stalling on its release, unsure of its commercial viability. For this album, the band chose to re-record that album in almost its entirety, only "Fools" and "Leaving Here" weren't re-recorded at these sessions. In addition two new self-penned compositions were added in "White Line Fever" and "Keep Us on the Road", as well as a cover of "Train Kept A-Rollin'".
The title track "Motorhead" was coupled with the non-album track "City Kids" for release as 7" and 12" singles. The four remaining tracks from the session were shelved until 1980, when they were released on the Beer Drinkers and Hell Raisers EP. Later the B-side and the EP were added as bonus tracks to remastered CD releases.
The sleeve artwork featured Snaggletooth, the fanged face that became an icon of the band, created by artist Joe Petagno. The inner sleeve featured old and new photographs of the band and friends, plus letters of thanks from Lemmy, Eddie and Phil. The advertisements for the album, single and tour bore the words "Achtung! This Band Takes No Prisoners".
- "Motorhead" (Lemmy Kilmister) – 3:13
- "Vibrator" (Larry Wallis, Des Brown) – 3:39
- "Lost Johnny" (Kilmister, Mick Farren) – 4:15
- "Iron Horse/Born to Lose" (Phil Taylor, Mick Brown, Guy "Tramp" Lawrence) – 5:21
- "White Line Fever" (Eddie Clarke, Kilmister, Taylor) – 2:38
- "Keep Us on the Road" (Clarke, Kilmister, Taylor, Farren) – 5:57
- "The Watcher" (Kilmister) – 4:30
- "Train Kept A-Rollin'" (Tiny Bradshaw, Howard Kay, Lois Mann) – 3:19
- Originally released as the B-side of the Motorhead single in 1977
- Producer – Speedy Keen
- Engineer – John Burns
- Recorded – Escape Studios, Kent
- Remix – Olympic Studios, London
- Executive Producers – Motörhead/John Burns
- Logo – Joe Petagno
- Photographs – Lensy, Motorcycle Irene
- 12/Aug/1977 – UK vinyl – Chiswick, WIK2 – First 1000 printed black on silver foil sleeve. With inner sleeve.
- 10/Nov/1979 – UK vinyl – Chiswick/EMI, CWK3008 – The first 10,000 copies pressed on white vinyl, with "White vinyl fever" written on cover. Later versions had a gold stamped promo sleeve.
- 198? – UK vinyl – Big Beat, WIK2 – Red "Motörhead" lettering and "Includes inner sleeve with rare pix" written on cover. With inner sleeve. Black, clear and red (16,000 copies) vinyl editions.
- Big Beat have also issued a Direct Metal Mastered LP edition.
- One-sided test pressings (used in the trade; not mis-presses) escaped the pressing plant and are on the market.
- 2/Apr/2001 – UK CD – Big Beat CDWIKM2 – Red "Motörhead" lettering. With bonus tracks.
- 16/Jul/2007 – UK vinyl – Devils Jukebox, DJB006LP – 180g vinyl replica of original silver foil vinyl edition limited to 666 copies. First 100 with one sided 12" silver vinyl featuring the 5 bonus tracks, and poster.
- 8/Oct/2007 – UK CD – Big Beat, CDHP021 – CD replica of original silver foil vinyl edition limited to 3000 copies.